¶ … career in architecture actually began when I was a child, when with wonder-filled eyes I beheld the designs and finished plans both my parents produced. My father is an architect, the principal in his own company. My mother is a painter and the owner of an interior design firm. Both of my parents' passion for their work inspired me to pursue a career along the same path.
Throughout high school and college, I sought personal, academic, and professional means by which to manifest my dreams, such as taking any courses that were relevant to the field. Because of both school and my parents' presence in my life, professional resources were plentiful for me. I have plenty of visual images imprinted my mind as a result, too. Therefore, my eventual decision to pursue architecture in college naturally stemmed from my early experiences and passion for creativity, form, and function.
My first concentrated...
From approximately 1930 until the 1980s, rectangular and functional spaces were the chief form of architecture around the world in general. The latter part of the 20th century -- the 1980s onward -- saw change once again, however (2008). For the most part, 20th century architecture, however, "focused on machine aesthetics or functionality and failed to incorporate any ornamental accents in the structure" (2008). The designs were, for the
The men had returned from the war, Americans were buying homes and putting all their energies in to building a nest for the family filled with all sorts of creature comforts. The female form reflected these comforts: it was round and healthy. On the other hand, the 1960s and 1970s signaled the rampant winds of change; while some people attribute it primarily to the debut of Twiggy, the skinny
architects in the 21st century is the issue of sustainability. Not only is there no consensus opinion on how to approach the issue of sustainability in academic circles but there is also no formula of integrating sustainability into architectural curriculum (Wright, 2003). This deficiency underscores an even more stressing problem, however: as Edwards and Hyett (2010) note, "the techniques and technologies of green design are now generally understood --
" Koolhaas obviously wants to employ his program to affect positive social change and is concerned with the urban environment and the way it is used and abused by architecture. Tschumi, on the other hand, is more concerned with forging an open-ended approach that serves to interrogate structures and thus "do violence," in an aesthetic sense, to the urban environment: "Any relationship between a building and its users is one
Michelangelo, better than most of his contemporaries, who were students of the Florentine tradition, successfully used the natural beauty of the real world in order to honor God. Michelangelo's influence led to the development of Mannerism as a period of art. Mannerism abandoned the style of art that relied upon depictions of subjects in their natural form and began to depict the subjects in a more harmonious and ideal form.
role did graphic designing play in the 1960s in popular culture? The ability to transfer an idea, concept, theme, or notion from the abstract depths of one's mind onto the rich whiteness of a canvas is indeed, a unique one. It is a gift that one is born and blessed with. The capability to sketch, draw and paint has been a part of human civilization since the dawn of time.
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